Andrew Iacobelli

Moving Generations is a short but simple film that highlights the values and true meaning of Project Kintsugi. We aren’t just following the story of a car, we are following the story of a family and their relationship to the car over time. Project Kintsugi aims at a future that flourishes from human connection, community, repair, which in turn helps build generational value. Director: Andrew Iacobelli Cinematographer: Andrew Iacobelli Production Designer: Natalie Bazydlo Production Assistant: CJ Villaflor Production Assistant: Siddharth Camarushy Donna (Grandma): Dana Keaton-Wilson Roy (Father): Brian Adams Aster (Daughter): Raina Yarbrough

"what it costs" highlights the quiet cost of ambition, exploring how the pursuit of financial stability and professional recognition can slowly erode the moments that truly define life. Through a single, unbroken take inside an office space, the piece follows a worker whose rewards—symbolized by paychecks—arrive with visual reminders of the family milestones he is missing. By contrasting material gain with emotional loss, the film examines how a life devoted to work without passion can create a painful divide between success and fulfillment. Director: Andrew Iacobelli Cinematographer: Andrew Iacobelli Production Designer: Natalie Bazydlo Thomas (Lead): Drayton Hale Woman On Phone: Natalie Bazydlo

A quick look at some of the projects completed by Andrew Iacobelli up to 2026.

An improvised documentary of an unknown place, filmed on Tri-X Super 8 stock incorporating a series of macro diopters, edited in camera, and hand processed. Nominated for Ann Arbor Film Festival "New Voices Program".

under fluorescence presents a series of extreme macro observations of the human body under sterile lighting. Focusing on micro-gestures such as eye movement, finger tapping, and nail biting, the film removes narrative and environment to examine physical restlessness as a condition. The work treats the body as a site of measurement and repetition, where tension accumulates without resolution. Nominated for Independent Film Festival Ypsilanti 2026.